Saturday, March 28, 2020

Drawing Michael

Michael Nichols, 2020, pencil, 50 x 40 cm


Michael is the 30th drawing in my series of profile portraits. There were two sessions which amounted  to around 7 hours of siting. There first was the head and a week later Michael sat for the hands. It's the first portrait I've done in my new studio and I'm looking forward to continuing the series in a space that has a fantastic natural light. I added a couple of lines after Michael had finished posing but not too much as it might spoil the reason for having a sitter - to engage with someone over a period of time and transfer that experience to paper.

Saturday, February 29, 2020

Tacit Presents 20(2020)

20 [2020]

2020 sees Tacit Galleries celebrating its 20th anniversary. Artists working with paint, pigment, ink, charcoal, pencil, collage, photography, ceramic, wood and metal were challenged to create work on a 20 x 20 inch substrate. This exhibition celebrates past, present and future as 130 artists from the first twenty years of Tacit come together for this unique exhibition.

Opening Wednesday 4 March from 630 to 8pm

Exhibiting artists include Helen Anderson, Jan Atyeo, TJ Bateson, Dave Behrens, Elena Berkovich, Cate Blackmore (Tas), Joe Blundell, Louise Blyton, Celia Bridle, Peter Brook, Terri Brooks, Jennifer Buntine, Robyn Burgess, Raymond Carter, Magda Cebokli, Jane Chandler, Elizabeth Colbert, David Coles, Helen Connell, Tim Craker, Sally D’Orsogna, Craig Daniels, Lana de Jager, Denise de Keyzer, Merrian Dennis, Lesley Dickman, Helen Edwards, Sharman Feinberg, Louise Foletta, Betsy Forster, Andrew Foster, Anne Forwood, David Gatiss, Christine Gibbs,  Jackie Gorring, Keiko Goto (Qld), Pete Gurrie, Julie Hall, Rosemary Harris-Arnott, Geoff Harrison, Jodi Heffernan, Barb Henderson, Beth Hulme, Anita Iacovella, Susan Illingworth, Ilona Jetmar, Shane Jones, Dinusha Joseph, Jessie Yvette Journoud-Ryan, Julie Keating, Wendy Kelly, Caroline Kennedy, Michele Kershaw (Qld), Hyun Ju Kim, Robyn Kinsela (NSW), Deborah Klein, Vietta Korren-Steele, Damon Kowarsky, Jo Lane, Nadeen Lovell (WA), Jennifer Marshall (Tas), Marina Mason, Mark McCarthy,  Janine McGuinness, Helen McInnis, Ruth McIntosh, David McLeod, Paula McLoughlin, Milan Milojevic (Tas), Mark Minty, Jesslyn Moss, Karen Neal, Elizabeth Nicholls, Kerrilee Ninnis, Lisa O’Keefe, Veronica O’Leary (NSW), Theo Papathomas, Yeonjoo Park, Gaye Paterson, Jim Pavlidis, Milos Pelikan, David Lee Pereira, Linda Pickering, Shirley Ploog, Cat Poljski, Belinda Pringle, Julie Puchalski, John Rabling, Bronwyn Rees, Nina Ryan, Virginia Ryan, Mark Seabrook, Lisa Sewards, Christopher Shelton, Bevan Shepherd, Trish Sidway, Rat Simpson, Beata Slifierz, Jennifer Smyth, Kristen Solury, Kerry Spokes, Susan Stevenson, Ali Stoner, Mary Sullivan, Liz Sullivan, Peter Summers, Annemarie Szeleczky, Trevor Tagliabue, Elizabeth Tarrant, Anna Taylor, Heather Telford, Jenani Therone, Lena Torikov, Eugene von Nagy, Susan Wald, Jenni Walker, Brenda Walsh, Steve Warburton, Andrew Weatherill, Michael Wedd, Linda Weil, Irene Wellm, and Katherine Westfold.

Below is the painting I'm exhibiting for this exhibition.







Blue Depths, 2020, oil on linen, 50.8 x 50.8 cm

Saturday, February 15, 2020

Drawing Godwin

Godwin Bradbeer, 2019, charcoal and white pastel, 41 x 31.75 cm


Drawing Godwin was a challenge. He would suddenly turn towards me for awhile as we conversed or he would get out of his chair and show me something on the computer or get a book from his library. But I decided to go along with this rather than ask him to remain still because I was reading about the Italian Renaissance artist, Bernini, and how he would encourage his sitter to talk and move around the studio. After reading this I couldn't imagine how you could capture a person under these circumstances but after allowing myself to experience these same conditions, I don't think I could have made a better drawing if Godwin sat still.

Cezanne demanded of his sitters that they remain as still as an apple but people are not objects and it perhaps makes for a better or livelier portrait if some kind of animation from the sitter occurs.

Godwin uses a lot of black in his work and as I thought about the portrait session I felt that drawing him in silhouette would create a type of darkness that would connect to his work.

Friday, January 31, 2020

ART AID FOR GIPPSLAND - Fundraising Exhibition and Auction for Bushfire Relief

The whole of Australia experienced catastrophic bushfires from late 2019 and this has continued into the summer of 2020. Many organisations have raised money to aid those who have suffered great loss as a consequence of the fires. 

Simon Gregg, director of Gippsland Art Gallery, Sale, has organised an art auction to raise money to help those who are in need. He invited artists to donate one or two works to be auctioned on 15th March after an exhibition of selected works from 15 Feb - 15 March at the gallery, an undertaking that is both inspiring and enormous. For more information about the auction, see HERE

The generosity from artists has been so great that no more donations can be accepted! What a  remarkable response. 

The two paintings below are my donations to the cause and let's hope the auction yields something beyond our imagination.




Untitled #53, 1999. oil on canvas, 91 x 61 cm


Untitled #96, 2002, oil on canvas, 91 x 61 cm


Friday, January 24, 2020

The Great Notre Dame Cathedral of Paris

Notre Dame, Paris, 1993, oil on paper



This oil wash drawing was done in Paris in 1993. My partner, Deborah Klein, had a residency at the Cite des Internationale and I stayed with her for six weeks. It was a fantastic experience because it has been the only time when I have been overseas that I was able to work at my art. We had a number of excellent views of Paris from the window and this drawing was done from there. 

The technique was inspired by Degas' oil wash sketches, applied so thinly it looks almost like an ink or water colour sketch. 

The tragedy of the 2019 fire still lingers since Notre Dame is one of the greatest art works ever created. Fortunately it has not been lost and much was saved that might have been turned to ashes.

Wednesday, January 22, 2020

Drawing Gaye

Gaye Britt, 2019, pencil, 52.25 x 41 cm


It's not often that you get to draw someone with closed eyes, but it's a great subject to do. For me it's like Gaye has removed herself from the world and dwells in a region unknown to others. 

I thought about how I would draw Gaye sometime before the sitting but when she arrived she suggested she could listen to music and I thought it was a great idea. Sometimes the sitter can make a suggestion that gives a drawing a different and refreshing perspective.

Tuesday, January 21, 2020

Music at Yandoit

Every year during Summer there is a music festival throughout Ballarat and the surrounding townships. Organs of the Ballarat Goldfields features many musicians but not necessarily organists only. The diversity of musicianship bought two great international musicians to the town of Yandoit - Massimo Scattolin on classical guitar and Paolo Tagliamento on violin. They performed at the local Uniting Church and presented a program of music by Paganini, Giuliani, Sarasate and Monti. What amazing players they are and the wonderful thing about it is that although they come from different generations, age is of no consequence where music is performed. Massimo is the older of the two but when you see them perform, the respect they have for each other is obvious. 

It was also great to be able to purchase a CD of the same music they performed at the concert and have each musician autograph the disc.


 The poster says it all

Paolo signing the disc and Massimo looking on